Camera
|
Duration
|
Mise-en-scene
|
Audience
Effect
|
ECU
Shallow
focus
|
0:00-0:10
|
Miniature
tea set prop
|
Associated
with childhood innocence
|
ECU
Shallow
focus
|
0:10-0:13
|
Stuffed doll
expressionless with minimal facial resemblance
|
‘Uncanny
Valley’ effect along with audience association with innocence
|
CU
Shallow
focus
|
0:13-0:16
|
Victorian
expressionless china doll
|
Period
revealed, eerie nature of children’s toys makes audience uneasy
|
MS
Three shot
|
0:16-0:21
|
Young girls
introduced, Victorian dresses
|
Introduction
of young girls, sense of vulnerability
|
ECU
|
0:21-0:23
|
Victorian
doll (expressionless), theme of girls hands
|
Representation
of youthful caring (brushing the dolls hair)
|
ECU
|
0:23-0:25
|
Victorian
doll sleeping
|
Representation
of kindness and innocence of children
|
MS
|
0:25-0:28
|
Two shot
girls smiling and playing
|
Continued
representation of playful innocence
|
CU
|
0:28-0:30
|
One shot
girl smiling
|
Connoted
children’s innocence
|
CU
|
0:30-0:33
|
Doll tea
party
|
Theme of
control over the dolls
|
MLS
|
0:33-0:40
|
Girls
positioned in high angle
|
Their gaze
connotes a presence within the room with the high angle showing their
vulnerability to it.
|
MS
|
0:40-0:43
|
Body
language as they turn away provokes motivated shot
|
Their unity
connotes that they are being controlled by a singular force
|
MLS
Track in
shot
|
0:43-0:46
|
Exterior
shows they are not on ground level
|
As the
volume turns up the audience are made uneasy due to the girls controlled
nature and attention to the window
|
MS
|
0:46-0:48
|
Three shot
girls start to stand
|
Connotes
control
|
CU
|
0:48-0:49
|
Girls rise
into shot
|
Connoted
control
|
CU
|
0:49-0:50
|
Shot of shoe
|
Shows
audience they are now standing
|
CU
|
0:50-0:51
|
Miniature
teas cup falls from shot
|
Sudden lack
of care for surrounding connotes control from external force
|
CU
|
0:51-0:53
|
Cup smashes
at girls feet
|
No diegetic
sound or body language reactions connotes no awareness of surroundings
|
CU
|
0:53-0:0:55
|
Shot of feet
start to walk
|
Doll left
behind connotes innocence lost
|
CU
|
0:55-0:56
|
Foot steps
on tea pot smashing it
|
Connotes
innocence lost
|
CU
|
0:56-0:59
|
Foot steps
on doll
|
Connotes
innocence lost
|
MS
|
0:59-1:04
|
Three shot
girls walk in line expressionless toward window
| |
MLS
|
1:04-1:08
|
Three shot
each girl stands a one window
| |
CU
|
1:08-1:12
|
Girls hand
opens window
|
Audience
feels unable to stop inevitable
|
LS
Tracks
backward
|
1:12-1:24
|
Girls step
from ledge into the light
|
Audience
shock at the childrens murder/ suicide
|
CU Zooms out
|
1:24-1:27
|
Dolls
expressional face
|
The dolls
expressionless face reflects that of the girls
|
LS Track
backward reveal shot
|
1:27-1:32
|
Empty room
tracks back to reveal silloutte in black vail
|
Figure
connotes the force that was controlling the girls.
|
- In the Extract we see three girls who are playing with a tea set as they are 'possessed', forcing them to commit suicide,
- The symbolism of the girls control over the expressionless dolls is replicated as they themselves are controlled later in the sequence.
- A theme of motherhood and innocence is prevalent as the girls care for there toys without any knowledge of the evil that awaits
- The audience are shown that the girls have been controlled in some way by depicting them as losing all interest in their surrounding to the point that they are stepping on their own toy
WHAT COULD WE TAKE FROM THIS?
- I particularly like the use of vulnerability and ideologies surrounding children in order to evoke emotional reaction and maternal/paternal instincts of the audience
- The use of close up to show actions without revealing character is a concept worth exploring
No comments:
Post a Comment